Happy Halloween Kindle-ites!!! Besides ungodly amounts of sugary treats, my favorite part of Halloween is curling up with a scary book. There is just something about creepy crawlers and this time of year that gets me going, which made me think, “Hey Misty…what about your readers? Don’t you think THEY have some favorite scary books too?” So, after I reprimanded myself for ridiculous inner-dialogue I set out to find the answer and THIS is what I got back. Here are just 5 of the recommended books that I couldn’t help but agree with. Happy Reading! Click images for additional details
Recommended By: Susan Summers When the Creeds move into a beautiful old house in rural Maine, it all seems too good to be true: physician father, beautiful wife, charming little daughter, adorable infant son — and now an idyllic home. As a family, they’ve got it all…right down to the friendly cat. But the nearby woods hide a blood-chilling truth — more terrifying than death itself…and hideously more powerful.
Recommended By: Neal Hock from Bookhound’s Den Tommy O’Brien once hoped to leave his run-down industrial hometown. But marriage and fatherhood have kept him running in place, working a job that doesn’t even pay the bills. And now he seems fated to stay for the rest of his life. Tommy’s just learned he’s going to die young–and soon. But he refuses to leave his family with less than nothing–especially now that he has nothing to lose. Over a couple of beers with his best friends, John and Sherm, Tommy launches a bold scheme to provide for his family’s future. And though his plan will spin shockingly out of control, it will throw him together with a child whose touch can heal–and whose ultimate lesson is that there are far worse things than dying.
Recommended By: Emily Bridges Past midnight, Chyna Shepard, twenty-six, gazes out a moonlit window, unable to sleep on her first night in the Napa Valley home of her best friend’s family. Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed “homicidal adventurer,” Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse or limits, to live with intensity. Chyna is trapped in his deadly orbit. Chyna is a survivor, toughened by a lifelong struggle for safety and self-respect. Now she will be tested as never before. At first her sole aim is to get out alive—until, by chance, she learns the identity of Vess’s next intended victim, a faraway innocent only she can save. Driven by a newly discovered thirst for meaning beyond mere self-preservation, Chyna musters every inner resource she has to save an endangered girl…as moment by moment, the terrifying threat of Edgler Foreman Vess intensifies.
Recommended By: Tony Valente & Sarah Scott A promise made twenty-eight years ago calls seven adults to reunite in Derry, Maine, where as teenagers they battled an evil creature that preyed on the city’s children. Unsure that their Losers Club had vanquished the creature all those years ago, the seven had vowed to return to Derry if IT should ever reappear. Now, children are being murdered again and their repressed memories of that summer return as they prepare to do battle with the monster lurking in Derry’s sewers once more.
Recommended By: Ann Simon (author of Jaguar Sees: The Lacquer Box) The time is now. We are in a small room with the vampire, face to face, as he speaks, as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir–young, romantic, cultivated–to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the “endless,” life . . . learning first to sustain himself on the blood of cocks and rats caught in the raffish streets of New Orleans, then on the blood of human beings . . . to the years when, moving away from his final human ties under the tutelage of the hated yet necessary Lestat, he gradually embraces the habits, hungers, feelings of vampirism: the detachment, the hardened will, the “superior” sensual pleasures. He carries us back to the crucial moment in a dark New Orleans street when he finds the exquisite lost young child Claudia, wanting not to hurt but to comfort her, struggling against the last residue of human feeling within him . . . We see how Claudia in turn is made a vampire–all her passion and intelligence trapped forever in the body of a small child–and how they arrive at their passionate and dangerous alliance, their French Quarter life of opulence: delicate Grecian statues, Chinese vases, crystal chandeliers, a butler, a maid, a stone nymph in the hidden garden court . . . night curving into night with their vampire senses heightened to the beauty of the world, thirsting for the beauty of death–a constant stream of vulnerable strangers awaiting them below . . . We see them joined against the envious, dangerous Lestat, embarking on a perilous search across Europe for others like themselves, desperate to discover the world they belong to, the ways of survival, to know what they are and why, where they came from, what their future can be . . . We follow them across Austria and Transylvania, encountering their kind in forms beyond their wildest imagining . . . to Paris, where footsteps behind them, in exact rhythm with their own, steer them to the doors of the Théâtre des Vampires–the beautiful, lewd, and febrile mime theatre whose posters of penny-dreadful vampires at once mask and reveal the horror within . . . to their meeting with the eerily magnetic Armand, who brings them, at last, into intimacy with a whole brilliant and decadent society of vampires, an intimacy that becomes sudden terror when they are compelled to confront what they have feared and fled . . . In its unceasing flow of spellbinding storytelling, of danger and flight, of loyalty and treachery, Interview with the Vampire bears witness of a literary imagination of the first order.
